Countdown to Launch

Dear readers,

Today, we are two weeks away from Hot Wax pub day. It’s an exciting but incredibly busy time; if you’ve following me on social media, you’ve probably seen a lot of event announcements, some early reviews, and even some early swag. But I wanted to go ahead and send this reminder for those of you who are less chronically online.

The Hot Wax book tour starts one night early at the Strand in New York City; we’ll be in the rare books room on the second floor, and it’s worth the price of a ticket just to come and eyeball all the beautiful books. If you can’t make the launch, though, you New Yorkers have a second chance: we’re doing a special, one-off event at Rough Trade Below in Rockefeller Center, where I’ll be in conversation with Adam Weiner of the Tristate Area’s scrappiest rock band, Low Cut Connie. We’re going to spin some records and talk about all the music that went into the making of the book. I hope you’ll come out and jam with us.

If you’re outside of New York, never fear: we have so many events in September and October, there are pretty good odds I’ll be somewhere near your neck of the woods, signing books and taking questions and handing out bookmarks, stickers, buttons, crayons, candy, Matchbox cars, record store gift cards, and even (drumroll, please) these incredible tour posters designed by Hannah Taylor. It’s a real dream come true to have merch worthy of Gil & the Kills, the movers and shakers at the heart of Hot Wax. We have a hundred of these posters, and we’ll be giving one away–signed and numbered–at each of my events this fall.

If that’s not enough incentive, I don’t know what it is! We had such a blast on Graveyard tour last year and this time around we’ve pulled out all the stops, because everyone needs a little something to look forward to and with book bans cropping up all over the place and freedom of speech under threat, now is a real good time to come together and celebrate books. You can find working links to all of my upcoming appearances on the Events page. If you have questions, it’s best to reach out to the bookstore directly, as each event is a little different! If you think you want to come, jump on those tickets fast. Many of our events last year sold out, and the ones this fall are already filling up.

Finally, with just a few weeks left between me and pub day, I just want to say a little about pre-orders and how much they help support a book and the people who worked on it. Pre-ordering a book does a lot of good things: it helps the publisher decide how big the print run should be, which means we have enough copies for everyone at launch; it signals to bookstores and booksellers that this is a title worth stocking and talking about; and it helps our first-week sales numbers, which can make a big difference in the book’s future performance. Why do sales matter so much? Writing is an art, but at the end of the day, publishing is a business. Fabulous books like this cost money to edit and design and print and advertise. But sales numbers can also make or break an author: if the sales numbers aren’t good, good luck getting published again. I’ve lived it, and it’s heartbreaking. So if you want to support me and my work, this is one of the best and most impactful ways to do that. Thank to everyone who’s pre-ordered already, and thank you in advance to those of you haven’t yet. You can pre-order anywhere you get books: US pre-orders are here, and the UK is here.

I think it’ll be worth it, and worth the wait. I’ve been living in this book for a long time, and it’s turned into something really special. We can’t wait to share it with you.

M

HOT WAX US Tour Dates

Calling all road dogs!

The US Hot Wax tour is live. I’m so excited we’ll be able to bring this book to so many cities this fall, and it’s going to be an absolute blast. We’re working hard behind the scenes to bring you treats, tunes, tour merch, and so much more. It’s a really weird time to be promoting a book but now more than ever is a moment to fight for the arts and celebrate–loudly–everything that makes life colorful, vibrant, and worth living. I can’t wait to meet you all.

For tickets and more information, please contact hosting bookstores directly; you can find links on my Events page.

HOT WAX Pre-orders and UK Tour Dates

It’s been too quiet here for a little too long. But the good news is we’ve got good news worth sharing, so I’ll get right to the point. Hot Wax launch is just about three months away. It’s wild how fast this time has flown, but now that we’re really in the home stretch we can finally share some things with you.

The first is NetGalley requests and pre-order links. If you’re a NetGalley member, you can request the US edition of the book here and the UK edition here. Our galleys–both print and digital–are pretty limited, so if you don’t get lucky this time, don’t fret! We still have some giveaways coming up, and you can always pre-order the book: you can find the US edition here and the UK edition here (or anywhere you buy books. Foreign editions will be coming in 2026; translators need time to translate).

If you’re not sure what all the fuss is about pre-orders and why authors always seem to be crowing about them, here are the basics: healthy pre-orders really help a book succeed, for two reasons. The first is enthusiasm, which should never be underestimated. A good volume of pre-orders lets booksellers/bookstores know that people are excited about the title, which makes them more likely to read it, stock it, and promote it to their local audience. That kind of word of mouth can do wonders for the life of a book in an era where nobody knows what else can actually move the needle. The second thing that pre-orders do is streamline production. An author’s worst nightmare–and their publisher’s, too–is having huge demand for a book and not enough copies in the first print run to meet it. This is trickier guesswork than ever with the tariff-induced destabilization of global trade (most of our paper and printing materials come from Canada and China, for instance). Pre-orders also go a long way towards making sure that there are simply enough copies of a book to go around. And, finally, pre-orders count toward first week sales, which can be a huge help in bumping a book onto the bestseller list. If you’re looking to support your favorite authors fighting to make art as the market is glutted with AI slop, consider pre-ordering titles you’re really excited about. It matters more than you know!

Because we appreciate it so much, we’ve arranged two options to pre-order signed copies of Hot Wax. You can snag a signed copy from Head House Books here in the States and from Waterstones in the UK. And if you pre-order a signed copy, you can still get it personalized if you come see me on tour! Which brings me to our next little announcement: UK tour dates are live and you can book your tickets now. We’re really excited about this route. Because the turnout for Graveyard Shift was so spectacular and we had such a fantastic time, we’ve got even more events this year and we’re hoping nobody’s too far away to make it. But because most of these events did sell out in 2024, if you’re pretty sure you want to come, don’t sleep on grabbing tickets. (If you’re curious what these events are like, you can find some recordings of the Graveyard tour on the Links page.) With any other questions, please contact bookstores directly! You can find all those hyperlinks in this post here.

US tour dates are still in the works, but should be announced very soon! We’re just waiting to nail down a couple of holdouts and plot a good route because yep, you guessed it–I’ll be driving myself again this year. With a road trip book like this, it just wouldn’t be right to do it any other way.

Hope to see you out there!

HOT WAX cover art

I won’t waste your time. It’s here. It’s hot. It’s big. It’s loud. I’m in love with it.

There are so many things I could say about this cover. A lot of care went into the design, and it looks absolutely delicious.

My editor, T., wanted this to feel like “ a big book.” We needed something high-contrast and eye-catching that would demand a reader’s attention as soon as they walked into the bookstore. Because the title is still one of everybody’s favorite things about this book, and because the words are so short and so perfectly matched in size, I suggested we go big with the title itself.

If you want to hear more about this process and what went into the design, I go in depth over on Substack, which is still the best place to keep up with all the goings-on going on behind the scenes. If you’re rather just pre-order the book, you can do that here (and I might just add that all pre-orders are 25% of at Barnes & Noble with the code PREORDER25). It’s hitting shelves on September 9. Hope you love it as much as we do.

It Takes a Village to Write a Book

Writing is, in many ways, a solitary activity. Unlike music or dance or acting and other forms of art which necessitate collaboration, most writers work alone. The people and places and plots you create as a writer have to live in your head for a long time before anybody else can encounter them, and before they do there are many long days and nights spent putting one word in front of another in what often feels like a futile attempt to translate these vivid but intimate imaginings into prose. Easier said than done (and it wasn’t even that easy to say; I rewrote that sentence ten times).

I touched on this in a previous post, but living so much in your own head can make you feel (1) isolated, (2) like most of your friends are imaginary, and (3) stone cold crazy. Writing is a strange job. There’s a reason writers tend to be strange people. But the stereotype of the isolated, tortured artistic genius does more harm than good in the long run, from tricking would-be writers into relying on divine inspiration rather than revision to treating substance abuse as a key to creativity. It also conveniently forgets the fact that few writers could function without the support of other people.

If you flip to the back of any given book, you’ll likely find a list of names in the author’s “Acknowledgments” which includes publishing personnel like agents and editors as well as friends and family and sometimes other folks like fact-checkers and beta readers who test-drove the text before it went to press. Occasionally you’ll even find a “Select Bibliography” if it’s a work of non-fiction or something else requiring a lot of research. However, in my experience there are a lot of other people who contribute to the writing of a book whose names you don’t often see, and who may not even be aware of their own contribution.

The coronavirus pandemic has gotten me thinking a lot about those people. Unless you live under a rock, over the last few weeks you’ve probably watched a lot of local businesses close their doors, either due to state lockdowns or simply because the sudden drop in business made it impossible for them to keep up with operating costs. Many of these closures feel personal, not only because I miss my old haunts, but because the loss of them has highlighted just how important they are to my writing process. So in a fit of mixed sadness and gratitude and determination to do something to make this whole situation suck less, I spent last week throwing every dollar I could spare at the small businesses which have helped me write for the last five years. Helping helps me not feel helpless, even if it is in such a limited capacity.

On the off chance you would like to do the same, I’ve written the following list of local businesses without whom my writing would not happen; chances are you have hometown equivalents who need help just as badly, and I hope you’ll consider buying or donating there. This is a very small attempt to pay it back, pay it forward, and call attention to the unsung heroes of the creative process.

  1. Independent bookstores. By now you surely don’t need me to explain how corporate leviathans like Amazon hurt the book business. But since Amazon announced it’s de-prioritizing book sales for the duration, you really have nothing to lose and everything to gain by buying from an indie, and many of them have been working hard to move their operations online. A few of my favorites in DC are East City Books, who hosted my paperback launch, Kramerbooks, whose employees have talked up my book on social media, Capitol Hill Books, whose Twitter feed alone is worth a $20 book buy, and Loyalty Books, whose new location in downtown Silver Spring did not get the opening quarter it deserved. Another beloved bookstore of mine is Flyleaf Books in Chapel Hill, NC, who hosted the biggest event of my very small book tour, and kept me knee-deep in good reads while I was a student at UNC and working on the first draft of Villains. Besides all that, any writer will tell you that there is no writing without reading. I owe these establishments a lot. Chances are you have indie bookstores nearby who would love to deliver or ship your next read right to your door. Not sure? Check their websites or try Bookshop and IndieBound. Bonus tip: many bookstores carry a lot of things besides books which might be handy to have around while sheltering-in-place, like puzzles and board games or three famed portraits of David Bowie.
  2. Independent record stores and labels. I don’t have a TV but I have 800 records in my living room and music has always been one of the most important ingredients in my writing process. Musicians have been suffering for a long time due to streaming services’ shameful refusal to adequately compensate them for their work. (If you’re interested in facts and figures, check out this article by Galaxie 500’s Damon Krukowski, from all the way back in 2012. This has been a problem for a while. Krukowski’s book, The New Analog, would also be a great read in the time of covid-19.) With concerts cancelled and brick-and-mortar record stores shutting their doors, musicians–particularly the ones who weren’t selling out stadium tours back when that was a thing we could still do–need album sales now more than ever. I know it’s old-fashioned, but what better way to revive the tradition of the listening party than by supporting the artists who made the soundtrack for your quarantine and the record stores fighting to keep the music industry focused on the music? My favorite local spot is the Record Exchange, but you probably have record store near you, too, and they’re probably willing to ship! Not sure? You can use the Vinyl District’s record locator app to find one. No turntable at your place? No problem. Most record stores also stock CDs, books, movies, video games, and more.
  3. Bars and restaurants. I’ve literally never written a book that didn’t feature a bar. Drunk drama fueled so much of Villains that I sometimes feel a portion of my royalties (if I ever make any) should go the good people who put up with me and all my actor friends while I was working on the book. The next best thing is donating to support the staff of my beloved college bar, Linda’s, where I spent many good nights and a few bad ones, read books and wrote scenes and staged plays and drowned my sorrows when writing wasn’t going my way. If you’re lucky, some of your favorite local haunts may have adapted for delivery. (If you’re in the DMV, I would highly recommend throwing a few dollars at Quarry House Tavern, whose Whiskey Wednesday specials have gotten me through some tough times, and whose burgers might be some of the best in the region.) If you do order delivery, please tip well! Food service workers live on tips and they’re not making many right now.
  4. Performance companies and venues. Guess who’s not making money right now? Artists whose art requires an audience. Unsurprisingly, live theatre is a big part of my creative process. Many theatres who have closed their doors are now wondering how they’re going to keep their actors, directors, designers, and other staff on the payroll, and it’s that much harder to do when everybody and their mom is asking for refunds for cancelled events. If you can, consider donating the price of your tickets or anything else you can spare to the people who put on shows for you when we’re not all staying home. Consider paying a little more than you normally might to stream new movies or watch the live performances theatres all over the world are putting up online. The livelihoods of the people who made them–and their ability to make art–are probably more precarious than ever before.
  5. Animal shelters. If you’ve been following me on any social media platform for any length of time, you have probably seen pictures of my dog, Marlowe. I adopted him from Operation Kindness, a no-kill Dallas shelter, in 2017. Since then his presence in my house and my life has done a lot to keep me off the ledge. Many animals shelters operate with very narrow margins, and chances are they’ll take any help they can get right now. And if you wanted to take a step beyond a monetary donation, there’s no better time to bring a pet who needs a home into your life. You don’t need to distance yourself from dogs or cats, and when are you next going to be home all day every day to help introduce a new pet? Don’t make any snap decisions, but if you’ve been looking for a sign from the universe that now’s the time to rescue your new best friend, consider this it.

Writing may be a solitary activity much of the time, but that doesn’t mean it happens in a vacuum. All art, I would argue, is collaborative: it is influenced and inspired and supported by so many different people in so many different ways that listing a few names under “Acknowledgements” feels insufficient. These are just a few examples of the people who have helped me make art. Apart from directly supporting artists in times of crisis, one way to support the creators you care about is to contribute to the institutions in your community which foster creativity. It may not seem like a lot, but in a time like this every little bit helps–and if enough people do a little bit, the little bits add up to something much bigger.

Stay safe, stay well, stay home, stay hopeful, and stay engaged with the people and places that enrich the life of your community if you want to see them on the other side.

M

So That Didn’t Work

I’ve said this before, but I don’t set a lot of stock in New Year’s resolutions. So far the only one I’ve ever done that worked was in 2017 when I resolved to listen to at least one song every day without doing anything else at the same time (a practice I would highly recommend for anybody trying to find a quiet moment in the midst of 21st-century chaos or reconnect with art in a meaningful way).

However, this new year happened to coincide with a series of circumstances which have forced me to reconsider the way I operate from day to day. The short version is that the class I was supposed to teach was cancelled due to insufficient enrollment, a glitch in the Matrix which might be attributable to an uninspiring–and apparently immutable–course description, the structure of the undergrad English major, the general devaluation of the humanities in American culture, my own lack of appeal as a person, or some combination of all four. The downside is a significant cut to my insignificant paycheck. (There’s no such thing as job security as a graduate student.) The upside is that this leaves me with a more flexible schedule than I have had in the last six years.

As you may have heard me say elsewhere (by which I mean Twitter), I don’t do well with unstructured time (hence the sharp upswing in my Twitter activity of late). As a result I’ve gotten to be very good at structuring my own time when there isn’t an institutional schedule in place to do it for me. But one of my objectives this year is to become less of a slave to structure. If you’ve been following this blog awhile or already clicked on that link at the top, you know I’ve been down this road before. I tried it last year. It did not work.

However, I am nothing if not stubborn, so here we are again. I’ve accepted that a reasonable work-life balance is an unrealistic goal for me, just because of who I am as a person at this particular point in my life. But that doesn’t mean I can’t make some changes to the way I work. In addition to feeling generally burned out and overwhelmed, a lot of the joy that writing used to bring me has been replaced by fatalistic dread about what it will (or won’t) amount to in the end. Is this really worth my time? Will it be worth a publisher’s money? Will it grab a journal’s interest? Worry about that sort of stuff for long enough, and it’ll make you hate something you used to love.

This is not to say I hate writing. This is to say I hate the anxieties that come with writing for publication. Unfortunately, if you intend to make a career as a writer (which I still do, with characteristic stubbornness, despite trying and failing to grab a new editor’s interest for the last four years) marketability isn’t something you can afford not to worry about. But perhaps you don’t have to worry about it all the time.

My abstract and belated resolution for 2020 is to worry less and write more with no other end goal in mind than the writing itself. I want to write about stuff I want to write about without worrying whether anybody wants to buy it. To be honest, I want to write without even worrying whether anybody wants to read it. Over the last few months, I’ve been taking baby steps in the right direction. I’ve been following whims and interests which are largely unrelated to my usual fields and genres, and some of those things have been hugely rewarding.

For example:

I’m writing reviews and interviews for The Vinyl District, an online music mag with a pretty wide reach where I have pretty free rein. If you’re curious you can find links here (and keep an eye out in the coming weeks; I have a long interview with one of my favorite cover bands and a piece on Brian Wilson in the pipeline).

Years ago, I was doing record recommendations based on followers’ favorite books. Demand got so out of hand I had to stop doing it, but now I’m back at it, in a more manageable way. I’ve told nobody about this until now. For months it was a sorely needed creative outlet with absolutely zero stakes. If you want, you can find that here.

After teaching a science fiction class last semester, I’ve taken a much deeper dive into space exploration. I applied to participate in the upcoming State of NASA event at the Goddard Space Flight Center, and–to my surprise as much as yours–was actually selected. On February 10th I’ll be touring the facilities (as Cake might put it) and sharing some exciting stuff about the Artemis program, the Lunar Reconnaissance Orbiter, and future missions to Mars. If you want to follow along with that, you can find me on Twitter and Instagram.

These are just a few of the proverbial irons in the fire. I may not be teaching again until September, but I still have conference papers and a dissertation to write and a novel to sell and an admin job with my university’s MedRen society. All of that keeps me pretty busy. But finding time to write just for the sake of art and curiosity and the craft itself has helped me remember why I wanted to do this in the first place. To that end, I’m hoping to also start posting writing more regularly here. (Don’t worry, it won’t be enough to be annoying.) I’m not sure yet what form that writing will take or if it will find a consistent form at all. The point is to follow my own creative whims and write without worry.

For anyone else feeling burned out or bummed out or just demoralized by how little real reward there often is for the many hours we spend working, I hope you can find time in your life to chase a few butterflies. Indulge yourself. Take a risk. Waste some time. Resist the urge to map every hour of your day or your month and let life catch you by surprise. 2020 promises to be a rough year. If we don’t want to go crazy, we might just have make our own rules and make our own fun and find the things that remind us why we’re toughing it out in the first place.

Good luck and godspeed.

M